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bob

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this question i have all ways wondered, would there be a diffrence in sound quality it i use 6 core alarm cable over OFC speker cable ?:| ? :| ?

have a Guiness Drinktoday

bob

 
I do not know the absolute answer to this but at a guess I would say yes there would be a drop in sound quality.

Probably too little for the average joe like me to notice but someone who listens to the fine details in a recording may pick up the lower quality.

 
during wiring my extension i asked my spark the same question he reckoned the impedence of the alarm cable would not be of the same quality as speaker cable therfore i ran speaker cable. better looking at it than for it.

 
Some of the best cheap speaker cable is 2.5 t&e (without the e)

Ian.

 
When it comes to speaker cable, its the CSA of the copper that counts.

6-core alarm cable has 6 x 0.22 sq mm, i.e, 1.32 sq mm total, or 0.66 sq mm for 3 cores (which is what you would do for a speaker feed - use 3 cores for each terminal of the speaker).

For speaker feed cable, impedance is not an issue - speakers usually have an 8ohm impedance; amplifiers are designed to drive this. Anyone who says differently needs to study audio electronics deeper.

The reason why CSA counts is down to the application of good old Ohm's Law: The bass speaker requires a lot of current (in audio terms) to move the cone of the speaker; this current is best delivered with a thick cable. The significance of CSA can be proved by comparing, say, 10 metres of 2.5mm cable with 10 metres of alarm cable, but only use 2 cores of the alarm cable.

Here's Pyro's brief guide to speaker cables:

Oxygen free copper... fine if you want to pay a bit more than for T&E.

Fancy super-fine strand cable with attractive transparent insulation..... fine if you want to pay quite a bit more.

Fat speaker cable with directional arrows to show which way round it goes..... audiophool cable at a silly price for silly people with more money than braincells!

Good practical speaker cable for domestic installations:

2.5mm T&E, 2.5mm flexible, 1.5mm T&E, 1.5mm flexible.

If you have a REALLY BIG amp and speakers to match, then go up to 4mm or 6mm, but I doubt the difference will be noticable in a domestic environment.

If you really want to use what the professionals use, then good quality professional speaker cable as used in studio, theatre & mobile applications can be got from Canford Audio, Kelsey Acoustics & Studio Spares.

A memorable studio installation in North London had the main speakers fed with 2H16 pyro....... not subtle!

 
Quite often at audio shows, some manufacturers would use jojo style mains reels with adapters as their speaker cables.

Myself, I prefer chord cables (and I have tried a few) but nothing will beat t&e at the pricepoint. I did make some "funky" cables once from lots of utp cable with special twists but there was an awful lot of stripping wires (4 utp cables is 32 wires each end so 128 strips).

 
Jeez, Andyc, that's one hell of a link! Thanks for posting it. Jaw-dropping.

Looking at some of the products and prices on that website brings up one word only - audiophool.

It's absolutely amazing what some people will spend on hi-fi. The really crazy thing is that when the signal path in a hi-fi system is considered as, say, 0.01% of the cable and electronics that the sound has had to go through to get from the studio microphone to the hi-fi speakers, the remaining 99.99% of the signal path has been in a professional recording studio. Pro studios do not spend 3 grand a metre on speaker cable or a grand a metre on microphone cable; no studio could afford that......

 
For speaker feed cable, impedance is not an issue - speakers usually have an 8 impedance; amplifiers are designed to drive this. Anyone who says differently needs to study audio electronics deeper!
:pbob dylan. world war three blues

half of the people can be part right all of the time

some of the people can be all right part of the time

but

all the people cant be all right all of the time i think abraham lincoln said that

ill let you be in my forum if i can be in your forum. i said that. :D

does anybody know what happened to stereo systems with graphic equalizers?

 
Last edited by a moderator:
"does anybody know what happened to stereo systems with graphic equalizers?"

Good question....... here are my thoughts:

Some hi-fi manufacturers shun tone control / EQ like the plague, resulting in there being less of it available.

The serious hi-fi users do not want to have any form of tone control, therefore reducing the market requirement for graphics.

For hi-fi users who really do want to have a graphic, there are plenty that are made for the pro market - you just need to know where to look.

There was a time many years ago when hi-fi benefited from being able to tweak the frequency response. As time and technology have progressed, amplifiers, speakers and electronics in consumer equipment have all improved so there is less of a need (real and perceived) to tweak something for it to sound better. A real world example of progress is loudspeaker technology: the depth of bass and clarity of treble that is now possible from a speaker that can fit in the palm of a hand could not be achieved 25 years ago.

In the pro side of the music industry, graphics are typically used to tweak the frequency response of a studio control room / theatre / concert hall so that it is "flat"; the graphic is a set-and-forget piece of equipment. Actually, it is a piece of equipment that is set and locked in a rack so no-one can adjust it.

Pyro.

 
Here's Pyro's brief guide to speaker cables:

Oxygen free copper... fine if you want to pay a bit more than for T&E.

Fancy super-fine strand cable with attractive transparent insulation..... fine if you want to pay quite a bit more.

Fat speaker cable with directional arrows to show which way round it goes..... audiophool cable at a silly price for silly people with more money than braincells!

Good practical speaker cable for domestic installations:

2.5mm T&E, 2.5mm flexible, 1.5mm T&E, 1.5mm flexible.

If you have a REALLY BIG amp and speakers to match, then go up to 4mm or 6mm, but I doubt the difference will be noticable in a domestic environment.

If you really want to use what the professionals use, then good quality professional speaker cable as used in studio, theatre & mobile applications can be got from Canford Audio, Kelsey Acoustics & Studio Spares.

A memorable studio installation in North London had the main speakers fed with 2H16 pyro....... not subtle!
Spot on with this Pyro, my first spell at work was 7 years working for HiFi Markets HQ (NAD), it was funny to see how much you could make people (suckers) pay for speaker wire when you added the important magic 'marketing techno bable', bottom line when punters believe that brand X of cable sounds better you can't stop them they will part with the cash, even if you change just the insulation colour, BTW you know Blue sounds better than Red don't you?

I was also involved in the early days of NAD, the Nordic designer of their range removed EQ for two reasons 1, cleaner face panel and 2, He believed his design was so good you did not need to mess with the output

 
The only other difference nowadays is a generation happy enough with a "lesser" quality sound than what even the average hi-fi aimed for 15- 20 years ago..

the MP3 generation want quantity and portability of music NOT audio quality..

and when they do come home or sit in the car with the "docking" station for the MP3 player..

the sound quality of the speaker cable don't matter a fig!!

:| ;)

 
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